Matrox skrev:Matrox MXO turns your Apple Cinema Display or other DVI monitor into an artifact-free, true-color video display you can trust, even for color grading. It’s packed with features that make it the ideal monitoring solution for Final Cut Pro and other QuickTimebased applications. You won’t need to buy expensive HD monitoring equipment or the SDI-to-DVI converter required for preview with some I/O cards. In fact, MXO provides better HD video definition on a flat panel (1920 x1200) than you will get on a more expensive professional HD monitor which is typically limited to approximately 800 lines of resolution.
If you work in HDV, you’ll appreciate the fact that MXO bypasses the conforming step needed to preview your timelines.
MXO’s realtime downscaling feature also lets you view your HD projects on an SD monitor.
Shane Ross skrev:Now...Jerry Hofmann told me that the MXO and the ACD would get you broadcast colors...and Wayne from Matrox, who I worked side by side with at the CalDigit booth, showed me the MXO side by side with a Panasonic HD LCD and they were identical. But I said "I won't believe it until I see it next to my HD CRT."
I believe it.
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